3 Songs written by Ray Whitley

September 21st, 2023

To mark the decade since he passed, I played 3 songs written by Ray Whitley at Songwriters Open Mic this week.  I did some research about Ray, searching online plus checking in by email with Chuck Mitchell, an old friend of his and a fellow performer at celebrated Southern folk music venues of the 1960s-1970s, such as The Bistro on West Peachtree Street in Atlanta.  Ray Whitley was a Georgia native who started writing songs as a staff professional shortly after high school.  At one time, Chuck regularly performed Ray’s song “Making Music Momma,” and I heard it often enough (in Detroit) to learn to play it myself, after a fashion, perhaps 40 years ago.  

Ray Whitley performing

 I remember from my teenage years a hit song by The Tams, the R&B group, called “What Kind of Fool Do You Think I Am,” and the other day I found that Ray had written that one for them, and they had a Billboard and R&B chart hit with it in 1963.  That’s a pretty good range of styles for the first two Ray Whitley songs I was aware of:  a  sweet and slow folk-pop ballad, and a doo-wop song that rocked not only for the Tams but later for Del Shannon.

By now my hunt for Ray’s songs was on in earnest.  I saw numerous mentions of another of Ray’s hits, also done by The Tams, and others, called “Be Young, Be Foolish (But) Be Happy.”  As wonderful as that song is, what grabbed my attention was one called “Think I Feel A Hitchhike Comin’ On.”  With my history of transcontinental hitching in the US and Europe, I wanted to focus on learning that one.  Larry Jon Wilson, another Georgian like Ray,  has a version of it on Youtube, done with his impressive vocal and guitar prowess.  It’s a country song that I feel has a lot in common with songs like Gentle on My Mind, with its wistful wanderlust and straightforward chord changes.  

So those were the three Ray Whitley songs I put together that night:  Making Music Momma, What Kind of Fool, and Hitchhike Comin’ On.  Here’s the link to the video from the open mic:  https://youtu.be/EdEh0lcEHMM

Here’s some sidebar material about Ray.  First, he’s not the only songwriter named Ray Whitley.  There was another Georgian named Ray Whitley, born in 1901, forty-plus years before “our” Ray Whitley, and he was a real-life cowboy who became a popular cowboy actor, and wrote cowboy songs, including one that Gene Autry really liked, the famous “Back in the Saddle Again.”  That Ray has a fairly long wikipedia entry and other online stories, and there are several places online where the two songwriters are totally confused and cowboy Ray is mistakenly given credit for things like working with The Tams.  

Next,  The Bistro is an interesting aspect of the career successes of Ray Whitley.  In the late 1960s and into the 1970s, The Bistro was a major stop on the singer-songwriter circuit, and it wasn’t uncommon for performers to be booked for a full week of shows.  Ray was just the right age to join that bunch of singer-songwriters that played there and/or the Flick, down in Miami.  At those places and others like them, the stages were graced by the likes of the young Jimmy Buffett, Jerry Jeff Walker, Kenny Rogers, Gamble Rogers, Guy Clark, Steve Martin, Joni Mitchell, Gordon Lightfoot, Steve Goodman, and two guys I got to know pretty well in Michigan years later, Michael Smith, and of course, Chuck Mitchell. I have a picture of a poster advertising Ray at The Bistro.

Poster from The Bistro

Ray Whitley died at age 69 in 2013.  Ray had fallen in alcoholism and suffered from depression, and his last address was a homeless shelter in Gainesville, Georgia.  But his youthful energy was strong, his output was impressive, and many friends recall him with fondness. In my version of the Hitchhike Comin’ On song, I use the key change near the end which Larry Jon Wilson’s version has, and what I’ve done is use the key change as an opportunity to write a few new verses, just to show my admiration for this wonderful songwriter as I try to channel a little piece of the appealing charm of his songs, with their eager longing and dreamy yearning.

Jim Novak, September 2023

MAKING MUSIC MOMMA RAY WHITLEY

Hear the rain on the roof, tap-tapping loud and clear,

Don’t it sound soft and sweet, music to your ear.

It’s making music momma, making music momma,

Me and you, we make music too.

Take a bass and a drum, add a tambourine,

Take a bird, add spring, you can hear it sing.

It’s making music momma, making music momma,

Me and you, we make music too.

Just say you love me, bells ring, birds sing

and when I hold you, it feels so good, I knew it would.

Hear the wind through the cracks in the wall, sounding lonely in the night.

Hear the blue bird when it calls, everything’s all right.

It’s making music momma, making music momma,

Me and you, we make music too.

WHAT KIND OF FOOL DO YOU THINK I AM.    RAY WHITLEY

What kind of fool what kind of fool

What kind of fool do you think I am

You think you can go seeing him

Darling, after we had made our plans

 You said I’d be your number one man

 What kind of fool do you think I am?   What kind of fool, do you think I am ?

What kind of fool did you think I’d be

 You said you really really loved me

 Darling you run around all over town

 You build me up then you let me down

 What kind of fool do you think I am?    What do you think I am??

 I won’t be your second choice call

 I’ve got to be your number one,     Or I ain’t gonna love you at all

Darling you run around all over town

You build me up then you let me down…

I FEEL A HITCH-HIKE COMIN’ ON RAY WHITLEY

There’s a mountain over there I’ve got to climb

There’s a sea over there I’ve got to sail

Think Ill be goin’ away at the break of dawn

Think I feel a hitch-hike comin’ on.

Bummed  around in this old town much too long

All the friends I thought I had are mostly gone

Think I’m gonna pack my bags at the break of dawn

Think I feel a hitch-hike comin’ on.

Thought I found the girl that I’ve been waiting for, right here in this town

Pretty girl with ribbons in her hair, the girl she let me down, way down

There’s a voice out there somewhere callin’ me

A few more places left I gotta be

Think I’m gonna pack my bags at the break of dawn

Think I feel a hitch-hike comin’ on.

Thought I found the girl that I’ve been waiting for, right here in this town

Pretty girl with ribbons in her hair, that girl she let me down, way down

There’s a voice out there somewhere callin’ me

A few more places left I gotta be

Think I’ll be on my way at the break of dawn

Think I feel a hitch-hike comin’ on.

(Song by Ray Whitley; additional words below by Jim Novak)

There’s a moon that’s risin’ on a meadow dim

There’s a sunset fallin’ ‘neath Lake Michigan

Think I’ll grab my backpack at the break of dawn

Think I feel a hitchhike comin’ on.

There’s some songs I this guitar I gotta play

There’s some changes and some shapes I’ve yet to learn

Think I’ll grab my backpack at the break of dawn

Think I feel a hitchhike comin’ on.

There’s a cabin by a lake that calls to me

There’s a city with a downtown gallery 

Think I’ll grab my backpack at the break of dawn

Think I feel a hitchhike comin’ on.

Thought I found the girl that I’ve been waiting for, right here in this town

Pretty girl who helped me find my way, that girl she let me down, way down

All my friends are working jobs and digging in

Producing and connecting and a-gettin’ ahead

Think I’ll grab my backpack at the break of dawn

Think I feel a hitchhike comin’ on.

SONGWRITERS OPEN MIC started as a monthly event in Ann Arbor in 1996, and since 2020 has evolved into a weekly event on Zoom, involving songwriters from a couple dozen states and several countries.  Songwriters receive an mp4 video of the songs and conversation. For INFO on participating in Songwriters Open Mic as a performer or audience member, write JimNovakMusic(at)gmail(dot)com

Archive of over 200 half-hour excerpts from Songwriters Open Mic:

https://www.youtube.com/@songwritersopenmicannarbor7761/videos

Link to the recording of Songwriters Open Mic with the 3 songs written by Ray Ripley (Making Music Momma, What Kind of Fool, and Hitchhike Comin’ On), performed by Jim Novak:   https://youtu.be/EdEh0lcEHMM

Songwriters Open Mic On Zoom, 9/13/2023

VOCAL-izing in Virginia

April 11th, 2023

At a Showcase for VOCAL (“Virginia Organization of Composers and Lyricists”) in March, 2023, there was enough time for 5 songs, several with connections to Michigan, and one from the current project, my set of songs and narratives about the 19th Century American environmentalist and folk hero John Chapman, aka Johnny Appleseed.  A link to the VOCAL Showcase performance is here, https://www.youtube.com/watch?v=WJfTUd2zWRs — and the 5 song titles plus a log of the  approximate starting times are here:

Blue Star in the Window (42:00)

Mastodon Conversation (46:00)

First Class View (52:00)

Maple Sugar Snow (58:00)

River Nearby (1:03:00)

VOCAL Showcase

The Virginia Organization of Composers and Lyricists is a not-for-profit serving all of Virginia and headquartered in Richmond.  https://vocalsongwriter.org/

Also performing in the March 2023 VOCAL Showcase were Matthew Costello,  https://costello-music.com/  and Burke Ingraffia, https://burkeingraffia.com/, which made for a wonderful evening of original music.  https://www.youtube.com/watch?v=WJfTUd2zWRs

Back to the FARM

March 31st, 2023

Performance Lane, offered by Folk Alliance Region Midwest (FARM), provides an opportunity for songwriters to do “two songs or ten minutes” at their online open mic.  The February show is archived at https://www.facebook.com/FolkAllianceRegionMidwestFARM/videos/1619410058508390.     I did an oldie, Maple Sugar Snow (at approximately 1:11, and a rather new one, A River Nearby (at 1:17). 

Note the Michigan State University sweatshirt, worn in recognition of the mass shooting that had happened on campus only 10 days early, in which 3 students were killed and 5 others were injured.  The Spartan Strong Fund has been created to provide a variety of supports to students and staff:  https://givingto.msu.edu/spartan-strong.cfm

Jim Novak on Zoom with host Caroline Barlow

FARM is one of 5 regional affiliates of the Folk Alliance International.  FARM serves 15 states and provinces, and includes Michigan.  The Southeast region, SERFA, covers 12 states including most of Virginia.  The Northeast region (NERFA) serves northern Virginia, including Prince William County, where I now live, and 16 states and provinces of Canada.  

Folk Alliance International, maps of regions of North America

February’s virtual Performance Lane for FARM totaled a dozen stellar performers including Host Caroline Barlow, Carla Ulbrich, Bryce Taylor, The Rough and Tumble, Karyn Oliver, Digawolf, Megan Bee, Aleksi Campagne, Sarah King, Carole Wise and Beth Padgett.

Northern Virginia

March 31st, 2023

FOLKING AROUND NORTHERN VIRGINIA

The Folk Club of Reston Herndon has been for nearly 40 years “dedicated to the appreciation of music and the preservation of folk traditions.”  Along with their weekly in-person sessions, the Folk Club has a virtual open mic on alternating Mondays.  The virtual open mic’s are archived on Youtube.  I participated on several Mondays this Fall after I moved to Virginia.  For example:

On March 6, 2023, I stopped by (virtually) to play four songs, with the times noted below https://www.youtube.com/watch?v=6ziJi1iG4aM

Don’t Postpone Joy ( at about 1 minute into the recording), followed by

Center of the Universe (and the Brecht poem Pleasures); later,  

Anyone Who Had a Heart (Burt Bacharach) (at about 1 hour into the recording) and

River Nearby (at 1:38:00)

FCRH’s virtual open mic is organized and hosted bi-weekly by Al Hobson, the group Treasurer; Al also has opened a house concert venue, info at https://artsbarnmusic.org/.  Regulars at the FCRH virtual open mic during my first 6 months or so include talented and entertaining fellow Virginians such as Ron Goad, Jim Nagle, John Druitt, Dan Grove, Bob Boden, Isabella Perelman, among others.

Links for my performances from the FCRH virtual open mic’s in Fall:

September 5, 2022 (my first visit) CCC Boys, First Class View, Greene County Coal. https://www.youtube.com/watch?v=y8A_mAZpKqQ

September 19, 2022. Blue Star in the Window, Mastodon Conversation, Old Strings, Orange Moon https://www.youtube.com/watch?v=NzddxV6DU1M 

October 3, 2022. How Much Time Have I Got, Green Barracuda, Fake It Til You Make it https://www.youtube.com/watch?v=C0ysvcGs0po

October 17, 2022 It’s My Party (Wiener, Gould and Gluck); See You Later Traitor; Ballad of the Old Hitchhiker https://www.youtube.com/watch?v=WMY1x-dV_Qw 

November 28, 2022 Barmaids and Waitresses, Maple Sugar Snow, Shine When Trouble Shakes You https://www.youtube.com/watch?v=HX03C2azBkY 

December 26, 2022 Good King Wenceslaus (trad.), The Day after Christmas, The Magi (Michael Smith), A Wanderer Am I (Michael Smith) https://www.youtube.com/watch?v=gmlZ8iMUPMs 

Performing over Zoom for the Folk Club of Reston Herndon
Folk Club of Reston Herndon (Virginia)

Archiving “Songwriters Open Mic”

March 12th, 2023

The Ann Arbor District Library (AADL) has acquired all 25 years of the Songwriters Open Mic video programs for their Archives.  There were 9 cardboard boxes stuffed with different video formats (VHS, 8 mm, mini-DV, DVDs), plus sign-in sheets, program logs, and publicity material.  The AADL Archives will digitize the collection, and eventually present this material online, in the context of documenting the local and regional community of passionate amateurs who constitute and support the environment for original music in our area. 

Already online is a large sample of close to 200 half-hour programs from the past few years, which I uploaded to YouTube, at https://www.youtube.com/@songwritersopenmicannarbor7761/videos 

Additional background:  AADL’s  COMMUNITY COLLECTIONS have a focus on Local History.  Topics range widely:  the Ann Arbor Street Art Fair, the Police Department, recipes and cookbooks, architectural drawings and postcards, pioneer families, the White Panther Party and John Sinclair, and an oral histories of African-American culture in Washtenaw County.     

Andrew MacLaren, AADL Archives Manager, moved my boxes of media and papers to the Library’s temporary storage facility, and coincidentally the facility is immediately adjacent to the public access television station (CTN) that has broadcast the Songwriters Open Mic programs for all these years.

As I watched Andrew drive away with the 25 years of tv programs, I appreciated once again how much the open mic nurtures my own songwriting, and it allows me to meet and engage with a community of hundreds of talented and creative songwriters and those who love songs.

Boxes in my basement ready to go
Chyron used in “Songwriters” episodes c.2015-2020
Library Archivist Andrew MacLaren at the storage building

1300 weeks “on the air”

February 25th, 2022

1300 Weeks

On Friday, February 25, 2022, Songwriters Open Mic passes 1300 weeks of broadcasts on the Community Television Network. Each “week” on CTN begins with a Friday-evening broadcast, followed by at least three additional re-broadcasts over the week. Broadcasts are live-streamed over the internet, and the schedule is at https://www.a2gov.org/departments/communications/ctn/whats-on/Pages/default.aspx#A2TV. 25 years ago, the broadcasts were scheduled only once a week and available only to cable tv subscribers in Ann Arbor. To extend our reach, the programs were also broadcast on the public-access station in Grand Rapids, where they are still broadcast weekly, and on another network that once served 9 counties in northern lower Michigan.

200 of the Songwriters Open Mic 30-minute shows from recent years are archived on a YouTube channel, at https://www.youtube.com/channel/UC9NEc1wuphx3tiaBQwvcoXA/videos

The live open mic where these episodes are videotaped started in February of 1996 at Oz’s Music Store in Ann Arbor. Until COVID and social-distancing concerns hit, the store’s cozy performance space served as home, except for a short stint at a local book store and occasional on-the-road video-tapings at songwriter events around Michigan — Traverse City, Cheboygan, Mackinac Island, Battle Creek, Harbor Springs, and other locations. Oz’s Music Store continues to serve musicians and students on Packard Road.

Our open-mic performances and the videotaping switched to Zoom by April of 2020. The difficulties of doing live music over Zoom were overcome fairly quickly by a handful of motivated and tech-savvy performers. The videotaping continues, and un-edited tapes are immediately shared with the performers via DropBox. In this Zoom era, the frequency of our open mic has shifted to weekly events, on Tuesday evenings, and now the performers are not only locals, a few of whom go back to early days of Songwriters Open Mic, but also songwriters from a couple dozen states, 5 countries, and 3 continents.

As many have noted over the past 22 months, what is unfortunately lost due to “physical distancing” can be countered by efforts toward virtual connectedness. At Week 1300, it feels good to appreciate the vital community that Songwriters Open Mic is and has been for so long, and to acknowledge the community within Community Television Network, broadcasting the programs for more than 25 years.

Jim Novak, host and producer, Songwriters Open Mic
jimnovakmusic@gmail.com

The episode broadcast during Week 1300 is on the YouTube channel at https://www.youtube.com/watch?v=rzDDBqcO-7k&t=1594s Recorded over Zoom, it includes 3 songs by John Peiffer from Maryland, and one each by Carolyn Cott from Pennsylvania, and Jim Eddy from Michigan. Jim Novak closes with a song called “Open Mic Music.”

Bedrooms, Basements and Zooming

November 2nd, 2021

Bedrooms, Basements and Zooming

The 20th Zoom session of our first-Tuesday Songwriters Open Mic is 11/2/2021. SOM began in 1996, so at this point we’re right around 300 monthly get-togethers to play original music. Most of the pre-Covid / in-person meetings were at Oz’s Music Store in Ann Arbor, which was (and is) a terrific space. But after a year and a half of Zooming from bedrooms or basements, I see several good things to appreciate despite the physical isolation, the shortcomings of not being in the same room with an attentive audience of close listeners.

The first consolation: success in a collaborative effort to master the technology. We learned together, over time, how to convey live music pretty well over the internet. We experimented with variations of microphones and DAWs and computer connections, and made cheat sheets for managing the audio settings. We progressed from “it’s better than nothing” to “it’s pretty darn good.”

Also, Zoom widened the circle of performers. Over these 20 months we’ve enjoyed songwriters from coast to coast in the US, plus England and Australia.

And about the community aspect: For many years, the “regulars” of the open mic at Oz’s Music set a committed standard not only for earnest and unflagging efforts at writing and playing, but also for the endearing quality of personal interaction. The post-performance discussion at Songwriters Open Mic has had two primary features: supportive feedback about the songs, and idiosyncratic digressions into amusing rabbit holes of popular-music history. Newcomers often noted these qualities and felt both welcomed and intrigued. I had some concern about whether any of this would carry over to the Zoom world, but learned quickly that all was well. The positive vibe of engaged, knowledgeable and capable amateur musicians definitely prevails, month after month, despite the tech apparatus and spatial distance.

So, it’s another first-Tuesday, and SOM is online once again, open to all, to participate or listen, a virtual get-together. The Zoom meeting ID and Passcode change each month. Songwriters can get the monthly sign-on info and reserve a performing slot by writing me directly or by using the MeetUp app, which is https://www.meetup.com/Ozs-Music-Songwriters-Open-Mic/

Here’s a link to a lightly edited 30-minute selection of songs, from three of the regulars, mostly from August’s first-Tuesday open mic:

Jim
JimNovakMusic@gmail.com

Michael Peter Smith on Songwriting

September 7th, 2021

Michael Peter Smith was such an outstanding teacher of songwriting — intense yet light-hearted, it seemed to me. In recognition of what would have been his 80th birthday today, here in two 30-minute videos is his lecture-demonstration called “Writing Songs for Shows,” recorded with permission at Lamb’s Retreat for Songwriters, in 2016. Michael talked about his creative process, with examples from musicals he had written including the Tony-award-winning Grapes of Wrath, Moby Dick, and The Snow Queen. The links for these 2 episodes with Michael are https://youtu.be/w_Rc2ZWbrqA (part one) and https://youtu.be/wJGesRzW5gY(part two). These videos were broadcast on my long-running public-access tv program, Songwriters Open Mic. There are over two hundred half-hour programs on the Youtube Channel for “Songwriters Open Mic Ann Arbor.” Lamb’s Retreat for Songwriters is an annual event held in November at Harbor Springs, Michigan, by springfed (dot) org.

Here is a run-down of each episode:
Part One—
2:30 writing for shows as “a way to write songs”.
6:50 About The Snow Queen
10:50 the genesis of the song Love Letter on a Fish
16:45 how to be more prolific
21:10 performance, Love Letter on a Fish
25:00 extraordinary rhymes and “the amount of labor”

Part Two —
2:30 Aaron Copland’s remarks about writing music to prose
5:00 Opal Whiteley; performance of Brown Leaves
8:00 Melville, arranging phrases
10:30 performance, Macey and He’s Stark Dead
13:00 John Prine quote on fixing things
15:00 when comments from other people won’t do you any good
17:30 how to record yourself and listen back, as a “third person”
19:30 two performances from the Staff Concert: Accokeek, and The Dutchman.

Song for the Civilian Conservation Corps: “CCC Boys”

September 26th, 2020

The youtube channel Megaprojects recently put up an excellent video on The Civilian Conservation Corps. I was prompted to get my song about the “CCC Boys” out there as well, and here’s the new link: https://youtu.be/qKXTuysUMfw

The lyrics are here:

“CCC Boys” (Song for the Civilian Conservation Corps)

by Jim Novak

The forests of the Garden were lumbered and left to burn,
Farmland and stream heading for trouble as the Century turned.
The market crashed in ’29, there was no work for many,
A dust cloud settling down on this once-proud Land of Plenty.

There were hobo boys in jungles, and teens out on the street,
Young men on the farm: even there they couldn’t make ends meet.
So when FDR was elected, right away he made a plan,
He said “Let’s put those boys to work, and let’s restore our Land.”

Here’s to the CCC, planting trees and more,
Cheers to the CCC, the Civilian Conservation Corps.

A quarter-million enrollees in just a few months’ time,
From ’33 to ’42, there were three million point five,
All in Roosevelt’s Tree Army, Soil Soldiers, CCC….
They restored the woods, restored their lives, that’s their history.

With axe and hoe and shovel, they leaned into their task;
Fire trails, riverbanks, campsites — all that they were asked;

California to Maine, Skyline Drive to Yellowstone,
They made 30 bucks a months, and all but 5 went home.

3 billion seedlings with mattock, axe, and maul,
Their message was “Think Ahead,” and what they did’ll outlive us all.

So, here’s to the CCC, planting trees and more,
Cheers to the CCC, the Civilian Conservation Corps.

My Dad was a CCC Boy, as he so liked to be called,
Went from home near Pittsburgh to Virginia’s Front Roy-alle.
The he got a job in Detroit, then he served in World War Two,
Said, After being in the C’s, there was no work he could not do.

I met those CCC Boys at reunions at Higgins Lake,
They’ve slowed a step but still quick of mind, w/ a firm, firm hand to shake.
To a man they’ve got great stories, and it’s not just trees they grew:
They grew themselves –they want that choice for the next generation too.

Here’s to the CCC, planting trees and more,
Cheers to the CCC, the Civilian Conservation Corps.

Learning on the job, they leaned into their task;
They called it the College of Callouses — & did all they were asked;

California to Maine, Skyline Drive to Yellowstone,
They made 30 bucks a months, and all but 5 went home.

3 billion seedlings with mattock, axe, and maul,
Their message was “Think Ahead,” and what they did’ll outlive us all.

Here’s to the CCC, planting trees and more,
Cheers to the CCC, the Civilian Conservation Corps

That’s my song for the CCC Boys, you can sing it in a national park,
Sing it in a state forest, on a morning hike or at dark,
Sing it once, in gratitude for the men of my father’s age,
And sing it twice for the youngsters, to be inspired by History’s page.

Here’s to the CCC, planting trees and more,
Cheers to the CCC, the Civilian Conservation Corps

NEW DIRECTORY OF PERFORMERS ON THE YOUTUBE CHANNEL FOR “SONGWRITERS OPEN MIC ANN ARBOR”

March 1st, 2019

Here’s a list of 65 performers from Songwriters Open Mic, and where to find them on my YouTube channel (Search YouTube for “Songwriters Open Mic Ann Arbor”). When you are at the Channel in search of a particular performer, click on the thumbnail with the four-digit Episode Number associated with the name in the Directory below. Or search by the performer’s name and the Episode number. When you open a 30-minute video program, you’ll see a description of the contents of the episode including a list of the performers in order of appearance.

Alec Wiener, Episodes # 1100, 1101, 1102, 1123,1136
Alex Whipple, Episodes # 1141, 1142
Andres Hernandez, Episodes # 1071,1140, 1141, 1142
Annie Bacon, Episode # 1129
Ashley Schuliger, #1073, 1077
Austin Dubois, # 1092, 1095
Bernadette Quist, # 1131
Brian Lampkin, # 1092, 1093, 1097
Bryan Elum, #1055
Charlie King, # 1109
Craig Lemieux, # 1085
Dan Bilich, # 1071, 1074, 1085
Dan Boyd, #1055
Dan Meloni, # 1072, 1075, 1079, 1094
Don Lee, # 1121, 1131, 1136
Duel at Dawn, # 1106
Ed Dupas, # 1110
Erik Harp, # 1144
Ethan Rogers, #1121
Folk Y’All, # 1104
Greg Maxwell, # 1083
ilyAIMY, # 1097
Jack Richards, # 1146
Jeanne Mackay, # 1109
Jeremy Morse, # 1095
Jerry Mack, # 1087, 1101, 1102, 1119, 1124, 1127, 1135, 1146
Jim Bouldin, #1071, 1135, 1145
Jim Eddy, # 1071, 1073, 1074, 1075, 1078, 1079, 1103, 1100,1098, 1094,1093, 1092, 1090, 1089,1088, 1083, 1119,1122, 1138, 1123, 1124, 1127, 1132, 1133, 1134, 1135, 1136, 1137
Jim Novak, # 1120, 1122, 1123, 1124, 1127, 1131, 1132, 1136, 1134, 1137, 1142, 1144, 1145, 1146
Joe Kidd, # 1106
Jonas, # 1131
Julia Furlong, #1120
Kat Renae, # 1092
Kelsey Detering, # 1129
Kevin Brown, # 1128, 1147
LaRon Williams, # 1109
Laura Baris, #1120
Laurie White, # 1109
Lily Talmers, # 1084
Linden Thoburn, # 1096, 1093, 1092, 1130, 1141, 1142
Marlo Mudd, #1121
Mary Ann Kirt, # 1078, 1075, 1074,1073, 1079, 1096, 1094, 1091, 1084, 1083, 1120, 1122, 1138,1139, 1123, 1124, 1129, 1133, 1136
Michael Joseph, # 1083, 1138, 1139
Milan Seth, # 1128
Mike Carter, # 1130, 1147
Nick, # 1125
Oliver de Peralta, # 1077
One Dangerous Mind, # 1104
Paul Epstein, # 1077, 1075, 1074, 1073, 1080, 1082, 1081, 1102, 1100, 1095, 1094, 1090, 1089, 108, 1087, 1119, 1138, 1139,1123,1125, 1132,1133,1136,1140, 1143
Phil Daker, #1100, 1103
Phil McMillion, # 1099
Richard Daddy Love, # 1055
Rod Johnson, # 1076, 1080, 1082, 1081, 1103, 1101, 1099, 1095, 1086, 1083, 1138,1139,1123,1133,1134,1141
Sal Schmittou, # 1074, 1077
Sarah Robinson, # 1081
Sean Kagalis, # 1105
Sheila Burke, # 1106
Sherry and Leslie, #1119
Stuart Benbow, # 1105
Stuart Fensom, # 1104
Steve Trosin, # 1110
Tim Reahard, # 1073, 1071, 1080, 1082, 1081, 1103, 1102, 1100, 1098, 1095, 1089, 1088, 1086, 1083, 1119, 1122, 1139, 1124, 1127, 1132, 1137,1146
Tommy Badfinger, # 1092, 1093
Wolf B. Reuter, # 1076

There are now over 400 original songs on the YouTube Channel (“Songwriters Open Mic Ann Arbor”). At 16 months old, there are 80 “SOM” videos (30 minutes each) available there, including recent and not-so-recent performances. (NOTE: There is a separate Directory of uploaded videos for performers taped at the Lamb’s Retreat for Songwriters in 2011, 2012, 2014 and 2016.)

Jimnovakmusic(at)gmail(dot)com